What did the historical world sound like, and how did humans interact with nature? Associate Professor Britton Elliott Brooks from Kyushu University’s Faculty of Languages and Cultures has explored these questions in a unique arena: the open sea in early medieval English literature. This conceptually vast body of water, isolated from land, appears in medieval authors’ works not only through visual imagery, but often through sound.
Listening to the past: How medieval pilgrims found faith in the roaring sea
